Girolamo Marchesi da Cotignola
(recorded between 1512 and 1550 in Rome)
Christ Carrying the Cross, oil on panel, 20.9 x 42.3 cm (lunette), framed
Provenance: Mrs. H. H. Macay (according to a label on the reverse);
European private collection
Literature: R. Zama, Girolamo Marchesi da Cotignola pittore, catalogo generale, Rimini 2007, scheda 14, p. 100, pl. V. This panel is published in the catalogue raisonné of the artist by Raffaella Zama. She considers the present composition to be a juvenile work by the painter, comparable to the Lamentation of Christ formerly in the Spinelli Collection in Florence (see R. Zama, op. cit. p. 100-101). Christ’s facial features are reminiscent of the Northern influences in the works of Francesco Zaganelli, to whom the painting was previously attributed. Several art historians have suggested that Girolamo Marchesi was active in the workshop of Francesco and Bernardino Zaganelli, which would account for stylistic similarities.
Provenance: Mrs. H. H. Macay (according to a label on the reverse); European private collection Literature: R. Zama, Girolamo Marchesi da Cotignola pittore, catalogo generale, Rimini 2007, scheda 14, p. 100, pl. V. This panel is published in the catalogue
Expert: Mark MacDonnell
Mark MacDonnell
+43 1 515 60 403
old.masters@dorotheum.com
13.10.2010 - 18:00
- Dosažená cena: **
-
EUR 18.600,-
- Odhadní cena:
-
EUR 15.000,- do EUR 20.000,-
Girolamo Marchesi da Cotignola
(recorded between 1512 and 1550 in Rome)
Christ Carrying the Cross, oil on panel, 20.9 x 42.3 cm (lunette), framed
Provenance: Mrs. H. H. Macay (according to a label on the reverse);
European private collection
Literature: R. Zama, Girolamo Marchesi da Cotignola pittore, catalogo generale, Rimini 2007, scheda 14, p. 100, pl. V. This panel is published in the catalogue raisonné of the artist by Raffaella Zama. She considers the present composition to be a juvenile work by the painter, comparable to the Lamentation of Christ formerly in the Spinelli Collection in Florence (see R. Zama, op. cit. p. 100-101). Christ’s facial features are reminiscent of the Northern influences in the works of Francesco Zaganelli, to whom the painting was previously attributed. Several art historians have suggested that Girolamo Marchesi was active in the workshop of Francesco and Bernardino Zaganelli, which would account for stylistic similarities.
Provenance: Mrs. H. H. Macay (according to a label on the reverse); European private collection Literature: R. Zama, Girolamo Marchesi da Cotignola pittore, catalogo generale, Rimini 2007, scheda 14, p. 100, pl. V. This panel is published in the catalogue
Expert: Mark MacDonnell
Mark MacDonnell
+43 1 515 60 403
old.masters@dorotheum.com
Horká linka kupujících
Po-Pá: 10.00 - 17.00
old.masters@dorotheum.at +43 1 515 60 403 |
Aukce: | Alte Meister |
Typ aukce: | Salónní aukce |
Datum: | 13.10.2010 - 18:00 |
Místo konání aukce: | Wien | Palais Dorotheum |
Prohlídka: | 02.10. - 13.10.2010 |
** Kupní cena vč. poplatku kupujícího a DPH
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